A female centaur (a creature half-human and half-horse) enters a clearing in the woods, and picks some flowers. She is soon met by a male centaur, and the two then romance each other. They then seek parental consent for their union.

A female centaur (a creature half-human and half-horse) enters a clearing in the woods, and picks some flowers. She is soon met by a male centaur, and the two then romance each other. They then seek parental consent for their union.

Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.

作为中国当代70后出生的诗人，马雁的文学创作在初露锋芒时突然夭折，这对诗坛产生了巨大的震动。这种震动从创作活跃的诗人波及到更为年轻的90年代、00年代出生的诗人，只因马雁创作的作品体现出了非常迷人的文学才华。 　　很明显，马雁是一个早慧的，有学识的诗人，她的思考与写作触及到人生存的现实处境，和人更为局促的精神困境。她的思想着眼于未来，一如她的名句所言：“发明词语者，发明未来。” 　　马雁短暂的人生停止在青春生命的灼灼闪光时刻，一部关于马雁的纪录电影可以让我们了解这位中国当代优秀诗人的精神世界，了解我们的时代生活细节，这对我们每个人的日常生活会形成一个良好的映照。像马雁这样心性自由的，认真写作的，自由生活的诗人，理当获得人们关注。事实上，马雁纯粹、执着的生活和写作态度正在感动更多的心灵。

作为中国当代70后出生的诗人，马雁的文学创作在初露锋芒时突然夭折，这对诗坛产生了巨大的震动。这种震动从创作活跃的诗人波及到更为年轻的90年代、00年代出生的诗人，只因马雁创作的作品体现出了非常迷人的文学才华。 　　很明显，马雁是一个早慧的，有学识的诗人，她的思考与写作触及到人生存的现实处境，和人更为局促的精神困境。她的思想着眼于未来，一如她的名句所言：“发明词语者，发明未来。” 　　马雁短暂的人生停止在青春生命的灼灼闪光时刻，一部关于马雁的纪录电影可以让我们了解这位中国当代优秀诗人的精神世界，了解我们的时代生活细节，这对我们每个人的日常生活会形成一个良好的映照。像马雁这样心性自由的，认真写作的，自由生活的诗人，理当获得人们关注。事实上，马雁纯粹、执着的生活和写作态度正在感动更多的心灵。

DESEO looked very promising. A movie about the political situation by the end of WWII and also a forbidden love story between a married communist woman and a NAZI sympathizing in a very convoluted Spain; but the movie is unable to get the point almost completely. This is really a pity, because movies about WWII are generally no more than war scenes and NAZIS portrait as psychopaths but rarely mentions the reasons why many countries were allied or passive with Germany (even USA before Pearl Harbor). 　　In 1945; a woman belonging to a communist family fallen from grace, find a job in the house of a very seductive Argentinean magnate who is secretive helping important members of the NAZI regime escape to Argentina under protection of General Peron (and also General Franco) governments. The woman has several reasons to hate the fascism; her husband is in prison for political reasons, his father was killed in front of his family by the FALANGE (Franco's army), his mother is paraplegic because of that and they lost everything their had and living in absolutely misery. For all these reasons, the temptation of an elegant world, fancy clothes and good sex seems quite logical, even when she had to betray her own ideas and husband. 　　The story looks very good, but the development is poor and flipping from the light social history to the soap opera model. The beginning showing misery and desperation and the seductive tycoon, are well conceived albeit slow moving. But after that, things never really get convincing. The political situation is described using a few dialogs. The obsessive love story loose credibility every second. Sex scenes are as hot as candle six feet away. Moments like the notice of Hitler's dead are so bad acted that they should be left in the cutting room. 　　The cast composed of very important and well-known Spanish and Argentinean actor's fails almost completely. Leonardo Sbaraglia starts very seductive, but when things get dramatic he is unable to deliver. Leonor Watling has a one facial expression character; even when she looks very nice and unprotected, is hard to believe somebody could get so obsessed about her. Cecilia Roth is a caricature, absolutely miscast. Norma Leandro unnecessary as Sbaraglia mother and head of the organization. Sarda, Cava and Alterio are the only ones able to get some credibility in their small parts. 　　It is really sad, because with all the misses, there are a few intelligent details. The story never tries to create a heroine out of Watling role. The fears and persecution of communist under Franco regime are very well described and touching, as is the misery those peoples were condemned. 　　In sum, if you do not know history or if you are looking for something trying to show history realistic, take a look otherwise do not loose your time, read a book about the subject.

DESEO looked very promising. A movie about the political situation by the end of WWII and also a forbidden love story between a married communist woman and a NAZI sympathizing in a very convoluted Spain; but the movie is unable to get the point almost completely. This is really a pity, because movies about WWII are generally no more than war scenes and NAZIS portrait as psychopaths but rarely mentions the reasons why many countries were allied or passive with Germany (even USA before Pearl Harbor). 　　In 1945; a woman belonging to a communist family fallen from grace, find a job in the house of a very seductive Argentinean magnate who is secretive helping important members of the NAZI regime escape to Argentina under protection of General Peron (and also General Franco) governments. The woman has several reasons to hate the fascism; her husband is in prison for political reasons, his father was killed in front of his family by the FALANGE (Franco's army), his mother is paraplegic because of that and they lost everything their had and living in absolutely misery. For all these reasons, the temptation of an elegant world, fancy clothes and good sex seems quite logical, even when she had to betray her own ideas and husband. 　　The story looks very good, but the development is poor and flipping from the light social history to the soap opera model. The beginning showing misery and desperation and the seductive tycoon, are well conceived albeit slow moving. But after that, things never really get convincing. The political situation is described using a few dialogs. The obsessive love story loose credibility every second. Sex scenes are as hot as candle six feet away. Moments like the notice of Hitler's dead are so bad acted that they should be left in the cutting room. 　　The cast composed of very important and well-known Spanish and Argentinean actor's fails almost completely. Leonardo Sbaraglia starts very seductive, but when things get dramatic he is unable to deliver. Leonor Watling has a one facial expression character; even when she looks very nice and unprotected, is hard to believe somebody could get so obsessed about her. Cecilia Roth is a caricature, absolutely miscast. Norma Leandro unnecessary as Sbaraglia mother and head of the organization. Sarda, Cava and Alterio are the only ones able to get some credibility in their small parts. 　　It is really sad, because with all the misses, there are a few intelligent details. The story never tries to create a heroine out of Watling role. The fears and persecution of communist under Franco regime are very well described and touching, as is the misery those peoples were condemned. 　　In sum, if you do not know history or if you are looking for something trying to show history realistic, take a look otherwise do not loose your time, read a book about the subject.

浪漫和原始的接触，如当帅逃犯从疯人院想念女孩的更衣室里，使这所有真正情电影。